End of the 2019 Reading
I never finished
summarizing my fall reading and since I want to get to my spring reading, I had
better get it done!
Somehow, I always end up
with some heavy stuff to read at the end.
It could have been Much Worse, of course. I made it through A History of Slavery and Emancipation in Iran, 1800-2929 by Behnaz
A. Mirzai. It was not exactly a
page-turner, but I learned a lot. What I
learned was that while there was a history and tradition of slavery in Iran, it
was not based on or justified by racism and it was not necessarily a barrier to
social mobility. Which is to say that
slavery, while always repugnant, existed in a much different cultural context than
the Atlantic slave trade that is more familiar to American history. Further, the trade in humans was something
exploited by various European powers to advance colonial/imperialist aims and
to secure access to resources. Not fun
to read, but useful.
T.R. loaned me Fictions of Feminist Ethnography by
Kamala Visweswaran. He hated it. I didn’t.
Admittedly, I did not have to read it for school, I did not have to
summarize the thinking involved, and did not have to write about it, so I had
much less attachment to lucid organizational structure. What I liked about it was that it, like Decolonizing Methodologies by Linda Tuhiwai
Smith (which I got from T. also and read in 2018), explored the space between
the personal and the historical and anthropological. We are past the point where we can, with a
straight face, insist that we are strict impersonal observers. Examining what the observer brings to the
processes of ethnography, history, anthropology, and other disciplines helps
keep us honest and transparent about what is going on.
I was late to the Brené
Brown party. But I really liked The Gifts of Imperfection. It is countercultural in the best ways,
helping bring focus to being real and connected and human in a world that would
prefer us to stay on the surface pretending we’re always Instagram-ready.
I also got to have
fun. Philip Pullman’s graphic novel The Adventures of John Blake: Mystery of the Ghost Ship was excellent
fun and dove into the kind of intersecting world stories he excels at in a new
way.
Both Emily Jenkins’s book
Brave Red Smart Frog and T.
Kingfisher’s book Bryony and Roses
worked with the fairy tale world I so much enjoy in interesting ways. I love to see what other people do with
archetypes to make them work for our time.
The next book I want to
talk about is Aru Shah and the End of Time
by Roshani Chokshi, but I have to take a small digression first. Some people do a good job of using whatever
platform they acquire to advocate for less heard voices and social justice and
some don’t. Rick Riordan is doing it
right. Aru Shah is from a series “Rick Riordan Presents.” Riordan is adding his name to get exposure for
authors from other cultures to present the kind of reimagining of their myths
and stories in the same vein as his explorations of Greek, Roman, Egyptian, and
Norse myths, recognizing that creating a platform for those voices to be heard
is the best way to enrich us all without doing the kind of cultural colonization
and appropriation that can easily happen.
I loved Aru Shah. It was fun and funny and compelling.
I rounded out my kid
reading with Michael Basman’s Chess for
Kids. I want to learn to do more
than shove pieces randomly around the board, losing spectacularly. I figure starting with what third graders can
learn is about right for me. I learned a
lot and now need to practice.
Georgette Heyer’s No Wind of Blame was a reasonably
satisfactory mystery in the vein of Agatha Christie. I would say that the clockwork overwhelmed
the novel, but it was a good diversion and I would read more.
Finally, I got to read
two more Terry Pratchetts, Wyrd Sisters
and Guards! Guards!. Pratchett makes me laugh and think. He tells the kinds of stories that feed
me. I love him.
Fall total was 23 books;
2019 total was 62. Not bad.
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